A Juried Selection

February 2019

Sunday Monday Tuesday Wednesday Thursday Friday Saturday
     1
cathy by Ed Hicks
2
D-4 by Tom Morgan
3
#167 by Richard White
4
THE UMBRELLAS OF BROOKFIELD 2018 08 11 by Jon Rettich
5
here's looking at you by Peter Wong King
6
Crane and Blue/Blood Moon by Peter Wong King
7
Painting 74 - Megan by Richard White
8
Georgia 1994 by Craig Sheely
9
Nick, seated by Peter Millward
10
Not Quite Luisa by Ilene Skeen
11
Yelana by Marie-Paule Martin
12
Untitled by Craig Sheely
13
Elin, May 2013 by Peter Millward
14
Timido by Tony Lee
15
Disillusioned by Marie-Paule Martin
16
girl friends by Ed Hicks
17
the sower by Andrew Lukish
18
ALLEY           1105C by Jon Rettich
19
Mountain Pose with Hands in Prayer by Jerry Ralya
20
Nude in Dune by Peter Le Grand
21
M by Seonyoung Kim
22
Pensive Nude in Window Sill by Peter Le Grand
23
Kate_A_7-09-09--8BD by Dan McCormack
24
Aroma de Mujer by Tony Lee
25
Bast, Egyptian Goddess by Jeanne Sisson
26
Nude from Above by Jerry Ralya
27
SPIKE by Tom Morgan
28
Nude on a Chair Gymnastic (#2151) by Ilene Skeen
  

Ob-La-Di, Ob-La-Da, Art Goes On --

The 28 artworks represent the artists of February, 2019, in day order: 1 Ed Hicks, 2 Tom Morgan, 3 Richard White, 4 Jon Rettich, 5 Peter Wong King, 6 Peter Wong King, 7 Richard White, 8 Craig Sheely, 9 Peter Millward, 10 Ilene Skeen, 11 Marie-Paule Martin, 12 Craig Sheely, 13 Peter Millward, 14 Tony Lee, 15 Marie-Paule Martin, 16 Ed Hicks, 17 Andrew Lukish, 18 Jon Rettich, 19 Jerry Ralya, 20 Peter Le Grand, 21 Seonyoung Kim, 22 Peter Le Grand, 23 Dan McCormack, 24 Tony Lee, 25 Jeanne Sisson, 26 Jerry Ralya, 27 Tom Morgan, 28 Ilene Skeen.



The Barebrush Provenance for each artwork is viewable by clicking on the calendar thumbnail (above) or on the caption under the artwork from each artist’s Barebrush Gallery page. The Barebrush program of retiring artworks that have been selected for three calendars is designed to encourage all artists to show their best new work and keep their online galleries fresh and interesting.

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